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Classical Music

By Phil Sommerich (October 19 2010)

Bryan here richly justifies a sheaf of competition wins. Her smooth, full-coloured sound is ideal for the romanticism of Lowell Liebermann's concerto, but she is equally alive to the drama of Nielsen, Poulenc's call for agile wit and the challenges of Georges Hüe's Fantasie. 4/5 Stars.

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